dancetonight

Lyrics Speak Don't say forgive me (forgive me) Don't say you're sorry I can't take it anymore Can't take it, can't take it, can't take it, can't take it anymore I've listened to all your lies (then all your stories) And I (and I) can't take it anymore Can't take it, can't take it, can't take it, can't take it anymore Don't say forgive me (I've heard it all before) Don't say you're sorry (I've seen it all before) And I (and I), I've heard it all before Don't talk, don't speak Don't (sorry) talk (sorry), don't (sorry) speak (sorry) Don't (sorry) talk (sorry), don't speak Don't (sorry) talk (sorry), don't (sorry) speak (sorry) Don't (sorry) talk (sorry), don't (sorry) speak (sorry) Don't (sorry) talk (sorry), don't (sorry) speak (sorry) Don't (sorry) talk (sorry), don't speak Credits Written by Madonna and Stuart Price Album None Tour On the Confessions Tour, there was a Sorry remix as interlude, which got known as Don't Talk, Don't Speak. The screens show a politically engaged video with war images intertwined with images of world leaders, dictators and terrorists, such as Bush, Saddam and Hitler. On stage a male and a female dancer chase and fight each other until they disappear from the catwalk.

Lyrics Tell me We're gonna do it after we finish? Ya whazzup We're gonna do it after we finish? Tick tick tock, Mo is on the jock I did her in the limo as we went around the block Sucked the mole on her hip Licked the lipstick off her lip She got real excited, yo she started to flip She says 'Dre baby 'Dre baby oh I said just relax, yo chill Mo We made a right turn onto Central Park West One hand gripped the car, the other on her breast Did you do it? Ya know I did it Did you do it? Ya know I did it Did you do it? Ya know I did it I let the seat recline and I hit it Did you do it? I said I did it Did you do it? I said I did it Did you do it? I said I did it But I backed out quick because I thought I split it Waiting for you, just waiting Waiting for you Waiting for you, just waiting Waiting for you Uh Ho's in the front for the 1990's Walkin' around showing off their hinies Wigglin' they're jigglin' they're swingin' and flingin' 9-7-0 Yo Ho, your phone's ringin' You get a call from your John, you meet him at the mot' He's chillin' in a pamper and a fur coat Your head starts spinnin', you drunk too much gin in Your jaw starts grinnin', and this is the beginnin' Of a night of an average Ho It ain't all about working on the streets no more Here's another episode of dropping off a load Peter was on the beater, I was about to explode I couldn't hold back (so whadya do) I took her to my place (Yo did she sit on your face) She was so good just like uh, Campbell's soup I won't try to front so here's the rude scoop I dipped it and I stripped it and I ripped it like before I had her screamin', nope no diddily, nope no more I can't stop once I get started But yo honey, uh get them legs parted Waiting for you, just waiting Waiting for you Waiting for you, just waiting Waiting for you Did you do it? Ya know I did it Did you do it? Ya know I did it Did you do it? Ya know I did it I let the seat recline and I hit it Did you do it? Ya know I did it Did you do it? Ya know I did it Did you do it? Ya know I did it But I backed out quick because I thought I split it They come with the rough stuff, boy we hit it, split it and forget it In the same order as ya hear, boy I'm not frontin' (me not front) Don't ask what, me tell ya the truth, you understand me eye The iron eye can get busy, you know what I'm saying Clean up me rifle, clean up me rifle Clean up me rifle, me elephant rifle Clean up me rifle, you clean up me rifle Clean up me rifle, elephant rifle I flipped her from the top of my head, enough said I'm the brother with the short short dreads A couple different styles, a couple different 'fros Just some that my souls about some girls I know I gotta hit it hard because I go for the gusto And I cover up the moans by turnin' up my stereo Did you do it? Ya know I did it Did you do it? Ya know I did it Did you do it? Ya know I did it I let the seat recline and I hit it Did you do it? Yo, ya know I did it Did you do it? I said I did it Did you do it? Yo I backed out quick because I thought I split it You didn't do it He didn't do it I made her go Waiting for you, just waiting (Man she's been waiting) Waiting for you (Yeah she can keep on waiting) Waiting for you, just waiting (She's been waiting and you have not hit it) Waiting for you Waiting for you, just waiting Waiting for you Credits Written by Madonna and Andre Betts Produced by Madonna and Andre Betts Special guest appearances by Mark Goodman and Dave Murphy Album Erotica Song In this parody of Waiting we hear Andre -Dre- Betts, Mark Goodman and Dave Murphy rap about whether or not Dre shagged Madonna. This song only featured on the uncensored version of the Erotica album.

Lyrics Blessed I am, bless I will I'm the one, I can still Overcome, and embrace All this, misery and hate Take me by the hand, lead me down the road Loosen my grip and lighten my load Help me take the path less traveled by Help me understand the reasons why Dear father, forgive me I don't know what I've done Dear father, please guide and protect me I'll return when my battle is won Dear father Blessed you are, bless you will You're the one, with me still Give me strength, to undo All the, hurting people do Take me by the hand, lead me down the road Loosen my grip and lighten my load Help me take the path less traveled by Help me understand all the reasons why Dear father, forgive me I don't know what I've done Dear father, please guide and protect me I'll return when my battle is won Without your help, dear father Without your help, dear father Without your help, dear father Without your help, dear father Without your help, dear father Without your help, dear father Without your help, dear father I would be all alone In the dark No one to comfort me Who listens to my heart Take me by the hand, lead me down the road Loosen my grip and lighten my load Help me take the path less traveled by Help me understand all the reasons why Dear father, forgive me I don't know what I've done Dear father, please guide and protect me I'll return when my battle is won Dear father, forgive me I don't know what I've done Dear father, please guide and protect me I'll return when my battle is won Without your help, dear father... Credits Written by Madonna and Andre Betts Produced by Madonna and Andre Betts Album None Song This is one of the outtakes of the Erotica sessions.

Lyrics (Justin:) Hey Madonna, I'm takin' you to the club Go uh Feels good Uh uh (Madonna:) Move your body Catch me from across the floor Everybody's watchin' But I just wanna give you more (Uh) Don't care bout nothin' (Yeah) I've fallen for your love in the worst way (Uh, c'mon) (Justin:) So move closer 'Cause I can feel your body rise The heat from you And I just start to fantasize We're all alone now And I don't care what people have to say uh (Madonna & Justin:) You don't have to be beautiful To be understood You don't have to be rich and famous To be good You just gotta get more more more Than you ever have before And you gotta move fast, fast, fast If you want this good thing to last (Madonna & Justin:) Let's dance tonight dance tonight And prove ourselves to the world And we'll hold hands tonight, hands tonight I'm just a boy and you're just a girl I wanna dance tonight, dance tonight Don't need no diamonds and pearls So take a chance tonight, chance tonight Let's prove ourselves to the world (Madonna & Justin:) Do it, do it Let me turn you on Let the music pull you through it 'Til the break of dawn Do it, do it While the night is young Let the music pull you through it 'Til the lights go on (Madonna:) Now we're in our zone Do you wanna take it further 'Cause before too long I'm gonna start to wonder Are you a one trick pony Or do you wanna keep running this race (Madonna & Justin) Uh I'm so into you I've heard it all before Uh so what should I do? I told ya catch me on the floor Don't spoil this moment 'Cause talk is cheap I don't have time to waste (Madonna & Justin:) You don't have to be beautiful To be understood You don't have to be rich and famous To be good You just gotta get more more more Than you ever have before And you gotta move fast, fast, fast If you want this good thing to last (Madonna & Justin:) Let's dance tonight dance tonight And prove ourselves to the world And we'll hold hands tonight, hands tonight I'm just a boy and you're just a girl I wanna dance tonight, dance tonight Don't need no diamonds and pearls So take a chance tonight, chance tonight Let's prove ourselves to the world (Madonna & Justin:) Do it, do it Let me turn you on Let the music pull you through it 'Til the break of dawn Do it, do it While the night is young Let the music pull you through it 'Til the lights go on (Justin:) Uh now dance Oh Dance Oh Dance Do you wanna take it further? (Oh) Just dance (Madonna:) (Oh) Ca-ca-ca-catch me on the floor (Oh) Ca-ca-ca-catch me on the floor CreditsWritten by Madonna, T. Mosley, J. Timberlake and H. Lane Produced by Timbaland and Justin Timberlake Co-produced by Hannon Lane Additional production, programmed and mixed by Demacio "Demo" Castellon Protools editing by Ron Taylor Vocals by Justin Timberlake Drums by Timbaland Guitars by Dan Warner and Darrell Pearson Bass by Darrell Pearson Keyboards by Hannon Lane Album Hard Candy

Lyrics My guy is really something, he's sensitive and shy My guy is such a bumpkin, it doesn't take much to make him cry If you hurt someone helpless, it's like taking away all his toys He's just a cry baby boy My guy is sentimental, he's always feeling blue He can be so temperamental and I don't know what I should do If you step on a little bug he cries all over the floor He's just a cry baby bore I don't want to hurt his feelings But his outbursts have me really Boo-hoo-hoo-ing all the time If I turn out like him, I think I'm gonna cry, baby La, la, la, la, la, la He's such a cry baby La, la, la, la, la, la And I'll tell you something else My guy is such a wet noodle, he's always teary-eyed He acts like a real cock-a-doodle, he can't even tell you why If you just play him a sappy song, he acts like his doggie just died He's just a cry baby guy No kidding, oh dear My guy is such a whiner, he's worse than baddie so A cockroach seen in the diner, and the tears flow out of the blue And if I ask him to knock it off, he goes and cries in the can He's just a cry baby man I don't want to hurt his feelings But his outbursts have me really Boo-hoo-hoo-ing all the time If I turn out like him, I think I'm gonna cry, baby La, la, la, la, la, la He's such a cry baby La, la, la, la, la, la I love a cry baby La, la, la, la, la, la He's such a cry baby La, la, la, la, la, la Would you knock it off please? Thank you Credits Written by Madonna and Patrick Leonard Produced by Madonna and Patrick Leonard Mixed by Brian Malouf Drums by Jeffrey Porcaro Percussion by Luis Conte Keyboards and bass synth by Patrick Leonard Background vocals by Donna DeLory, Niki Haris and Ndea Davenport Album I'm Breathless

Lyrics Cherish, cherish So tired of broken hearts and losing at this game Before I start this dance I take a chance in telling you I want more than just romance You are my destiny I can't let go Baby can't you see Cupid please take your aim at me Cherish the thought Of always having you here by my side Oh baby I cherish the joy You keep bringing it into my life I'm always singing it Cherish your strength You got the power to make me feel good And baby I perish the thought Of ever leaving I never would I was never satisfied with casual encounters I can't hide my need for two hearts that bleed With burning love That's the way it's got to be Romeo and Juliet they never felt this way I bet So don't underestimate my point of view Cherish the thought Of always having you here by my side Oh baby I cherish the joy You keep bringing it into my life I'm always singing it Cherish your strength You got the power to make me feel good And baby I perish the thought Of ever leaving I never would Who? You! Can't get away, I won't let you Who? You! I could never forget to Cherish is the word I use to remind me of Your love You're givin' it You're givin' it to me boy Keep giving me all-all-all your joy Give me faith I will always cherish you Romeo and Juliet they never felt this way I bet So don't underestimate my point of view Who? You! Can't get away, I won't let you Who? You! I could never forget to Cherish is the word I use to remind me of Your love Cherish the thought Of always having you here by my side Oh baby I cherish the joy You keep bringing it into my life I'm always singing it Cherish your strength You got the power to make me feel good And baby I perish the thought Of ever leaving I never would Cherish Give me faith Give me joy, my boy I will always cherish you Give me faith Give me joy, my boy I will always cherish you Cherish your strength (You're givin' it, you're givin' it to me boy) Can't get away, I won't let you (Keep giving me all your joy) Perish the thought (You're givin' it, you're givin' it to me boy) I could never forget to (Keep giving me all your joy) Cherish the thought (Give me faith, give me joy, my boy I will always cherish you) (Can't get away, can't get away) Cherish the joy (Give me faith, give me joy, my boy I will always cherish you) (Can't get away, can't get away) Cherish the strength (You're givin' it to me boy, keep giving me all your joy) (Can't get away, can't get away) Perish the thought (You're givin' it to me boy, keep giving me all your joy) (Can't get away, can't get away) Cherish the thought (Give me faith, give me joy, my boy I will always cherish you) (Can't get away, can't get away) Cherish the joy (Give me faith, give me joy, my boy I will always cherish you) (Can't get away, can't get away) Credits Written by Madonna and Patrick Leonard Produced by Madonna and Patrick Leonard Album Like A Prayer The Immaculate Collection Celebration Single After the -content-wise- heavy loaded Like A Prayer and Express Yourself singles, Madonna chose this light love song as third single. There aren't many other Madonna songs that pay tribute to the beauty of love better than Cherish does. The fans agreed and the single climbed the charts to #2 in the US (kept from the top spot by Janet Jackson's 'Miss You Much') and Japan, #3 in the UK and #4 in Australia. Video While the song pretends to be an innocent love song, the video gives it a sexy touch. Directed by the fantastic photographer Herb Ritts - who also made the cover picture of the True Blue album - the video looks like a photo shoot in black, white and blue colors. Madonna swims in the sea between gorgeous mermen (among who is Tony Ward, whom Madonna dated a few years later), wearing a tight (while wet) black dress, showing off her voluptuous body. Tour On the Blond Ambition Tour, Madonna got her own mermen. While she sang her love song, they flipped their tails around and gave her sweet kisses. Madonna plays a (fake) harp to make it all even more suga-sweet.

Lyrics Can't stop Can't stop thinking about you babe Can't stop Can't stop screaming and shouting your name Can't stop Look out boy 'cause I'm going to the top Of your list Can't stop I've tried and tried to get next to you My friends say I am blind I'll never break through But I don't give in so easily This I know You just wait and see I know that you're afraid that I might Come steal your heart Away in the night But I can't take Away what's not mine You'll see You'll come to me in time Can't stop Can't stop thinking about you babe Can't stop Can't stop screaming and shouting your name Can't stop Look out boy 'cause I'm going to the top Of your list Can't stop I've never gone the distance before To find if love was worth giving more I was born to love you, I've got nothing to hide I know about your secret side So shut me out, I'll never let go 'Cause I can work a spell on your soul I play the fool but it won't last for long, oh no 'Cause baby I'm too strong Can't stop Can't stop thinking about you babe Can't stop Can't stop screaming and shouting your name Can't stop Look out boy 'cause I'm going to the top Of your list Can't stop Can't stop thinking about you babe Can't stop Can't stop screaming and shouting your name Can't stop Look out boy 'cause I'm going to the top Of your list Can't stop Don't be afraid to try Just let me love you for a while You'll see What it's all about Oh baby I can't clear you out So shut me out, I'll never let go 'Cause I can work a spell on your soul I play the fool but it won't last for long, oh no 'Cause baby I'm too strong Can't stop Don't be afraid to try Just let me love you for a while You'll see What it's all about Oh baby I can't clear you out Can't stop thinking about you babe Can't stop Can't stop screaming and shouting your name Can't stop Look out boy 'cause I'm going to the top Of your list Can't stop Can't stop thinking about you babe Can't stop Can't stop screaming and shouting your name Can't stop Look out boy 'cause I'm going to the top Of your list Can't stop Just can't help myself You know I've got to have you and no one else (can't stop) Just can't help myself You know I've got to have you and no one else (can't stop) Just can't help myself You know I've got to have you and no one else (can't stop) Credits Written by Madonna and Steve Bray Produced by Madonna and Steve Bray Album Who's That Girl (OST) Song This is the forgotten song from the album. Not only is it thrown to the back of the tracklist; it's also the only Madonna song on the album that wasn't released and that wasn't performed on the Who's That Girl Tour.

Lyrics I've got the moves baby You got the motion If we got together we'd be causing a commotion I've got the moves baby You got the motion If we got together we'd be causing a commotion You met your match when you met me I know that you will disagree it's crazy But opposites attract you'll see And I won't let you get away so easy The love you save may be your own Can't fight this feeling, aren't you tired of being alone You won't admit it but you know it's true It's not a secret how I feel when I stand next to you I've got the moves baby You got the motion If we got together we'd be causing a commotion I've got the moves baby You got the motion If we got together we'd be causing a commotion Someday you'll see my point of view You can't keep wishing on the stars baby What works for me can work for you You've got to make a compromise and maybe Then we can keep our love alive And when it falls we won't let it die It doesn't matter if you win or lose It's how you play the game so get into the groove I've got the moves baby You got the motion If we got together we'd be causing a commotion I've got the moves baby You got the motion If we got together we'd be causing a commotion Causing a commotion Causing a commotion Causing a commotion Causing a commotion I hope you find what you're looking for Is it mine walk through that door We're wasting time Make up your mind And get into the groove Then we can keep our love alive And when it falls we won't let it die It doesn't matter if you win or lose It's how you play the game so get into the groove I hope you find what you're looking for Is it mine walk through that door We're wasting time Make up your mind And get into the groove I've got the moves baby You got the motion If we got together we'd be causing a commotion I've got the moves baby You got the motion If we got together we'd be causing a commotion Causing a commotion Causing a commotion Causing a commotion Causing a commotion I've got the moves baby You got the motion If we got together we'd be causing a commotion I've got the moves baby You got the motion If we got together we'd be causing a commotion Credits Written by Madonna and Steve Bray Produced by Madonna and Steve Bray Background vocals by Donna DeLory and Niki Haris Album Who's That Girl (OST) Single After the success of the title track this dance track was released as the second single in the fall of 1987. Famous for its cool performance on the Who's That Girl Tour, the single reached #1 in Japan, #2 in Canada and #4 in the UK. In the US it stalled at #2 for three weeks with Michael Jackson's 'Bad' & Tiffany's 'I Think We're Alone Now' stealing the top spot. However, Commotion got the #1 in the Hot Dance / Club Play. The charting of the single in the US would get an important significance: its final week on the chart was Jan. 9, 1988, when it was at #98, down from #97. This gave her a spot on the Billboard chart in 1988, a year in which she had no other singles. Because of that final week, Madonna has been on the Billboard chart every year from 1983 till 2006. Video There was no official video to support the single release of Causing A Commotion. The performance at the Who's That Girl Tour was used instead. The tour performance was also broadcast live via satellite at the 1987 MTV VMA. » Watch the video on our blog Tour Since the Who's That Girl Tour was promoting the movie and album with the same name, Causing A Commotion was part of the tour setlist, with a dancy choreography, using the conveyor belt. In an extension of the song, Madonna put each musician and dancer in the spotlight to show they "got the moves". On the Blond Ambition Tour, Madonna goofed around with Niki and Donna during Causing A Commotion. Her girls were pretty naughty and disobedient, so Madonna decided to show them who's the boss. As she said on her last show in Nice: "Je suis la chef!"

Lyrics Young velvet porcelain boy Devour me when you're with me Blue wish window seas Speak delicious fires I'm your candy perfume girl Your candy perfume girl Moist warm desire Fly to me I'm your candy perfume girl Your candy perfume girl I'm your candy perfume girl Candy Rush me ghost you see Every center's my home Fever steam girl Throb the oceans Your candy perfume girl Your candy perfume girl Your candy perfume girl Candy perfume girl Did I lie to you? Candy perfume girl Did I lie to you? Magic poison You're a candy perfume boy Candy perfume boy You're a candy perfume boy You're a candy Candy perfume girl The sacred nerve is magic poison It's candy It's candy I'm your candy perfume girl I'm your candy perfume girl Boy, girl, boy, girl, boy Candy Credits Written by Madonna, William Orbit and Susannah Melvoin Produced by Madonna and William Orbit Album Ray Of Light Tour On the Drowned World Tour Madonna picked up the electric guitar herself and proved to be a groovy punk-rock artist while performing Candy Perfume Girl. Seductively she put her finger in her mouth and at the end of the song she shouted '***CENSORED*** off motherfuckers!'. Her guitar strap also read '***CENSORED*** off'. What a rock chick!

Lyrics What's new Buenos Aires? I'm new! I want to say I'm just a little stuck on you You'll be on me too! I get out here Buenos Aires Stand back You ought to know whatcha gonna get in me Just a little touch of star quality! Fill me up with your heat, with your noise With your dirt, overdo me Let me dance to your beat, make it loud Let it hurt, run it through me Don't hold back you are certain to impress Tell the driver this is where I'm staying Hello Buenos Aires! Get this Just look at me, dressed up somewhere to go We'll put on a show! Take me in at your flood, give me speed Give me lights, set me humming Shoot me up with your blood Wine me up with your nights, watch me coming All I want is a whole lot of excess Tell the singer this is where I'm playing Stand back Buenos Aires! Because you ought to know whatcha gonna get in me Just a little touch of star quality! And if ever I go too far It's because of the things you are Beautiful town I love you And if I need a moment's rest Give your lover the very best Real eiderdown and silence You're a tramp, you're a treat You will shine to the death, you are shoddy But you're flesh, you are meat You shall have every breath in my body Put me down for a lifetime of success Give me credit I'll find ways of paying Rio de la Plata! Florida! Corrientes! Nueve de Julio! All I want to know! Stand back Buenos Aires! Because you oughta know whatcha gonna get in me Just a little touch of Just a little touch of Just a little touch of star quality! Credits Written by Andrew Lloyd Webber and Tim Rice Produced by Nigel Wright, Alan Parker, Andrew Lloyd Webber and David Caddick Vocals by Madonna Album Evita Song This song was intended to be a single, but for unknown reason the commercial release was put on hold. Clubs however had already received a promo and played it anyway. The song climbed up to #3 on the US Club Play charts.

Lyrics In my hallucination I saw my Beloved's flower garden In my vertigo In my dizziness In my drunken haze Whirling and dancing like a spinning wheel I saw myself as the source of existence I was there in the beginning And I was the Spirit of Love Now I am sober There is only the hangover And the memory of love And only the sorrow I yearn for happiness I ask for help I want mercy And my Love says "Look at me and hear me Because I am here just with that" I am your moon and your moonlight too I am your flower garden and your water too I have come all this way eager for you Without shoes or shawl I want you to laugh To kill all your worries To love you To nourish you Oh the sweet bitterness I will soothe you and heal you I will bring you roses I too have been covered with thorns Credits Written by Rumi Edited by Deepak Chopra Read by Madonna Album A Gift Of Love - Music inspired by The Love Poems of Rumi Song In the 13th century Persian poet Rumi (named after the city where he lived) composed works of mysticism and desire that inspired countless people in his own time and throughout the centuries. His poems expressed the deepest longings of the human heart for its beloved, for that transcendent intimacy which is the source of the divine. Contemporary spiritualist Deepak Chopra got inspired by Rumi's Love Poems and asked several celebrities to read them to music. Among them are Demi Moore, Goldie Hawn, Martin Sheen, Debra Winger and of course Madonna. Madonna choose the poem Bittersweet. Devoted Madonnafan Barney Medunic also used an acapella version of the track for his great (unofficial) remix Whirling and Dancing, which was very popular on Napster.

Lyrics Ricky Martin: Be careful with my heart You could break it Don't take my love for granted Things could change Sometimes I go insane I play the fool and you'll agree I'll never be the same Without you here with me Ricky Martin & Madonna: Cuidado (Please be careful) Con mi corazon Me siento algo desnuda (Easy on me, love) Cuidado (Please be careful) Es mi corazon, mi corazon Madonna: Be careful with my heart You could break it Don't take my love for granted Things could change Sometimes I go insane I play the fool and you'll agree I'll never be the same Without you here with me Ricky Martin & Madonna: Cuidado (Please be careful) Con mi corazon Cariño (Easy on me, love) No me lastimes Cuidado (Please be careful) Es mi corazon, mi corazon Madonna: If I could reach out to you Ricky Martin: Nothing will stop me Madonna: Take your head in my hands Ricky Martin: Tell me what would you do Madonna: Kiss your eyes, sing you to sleep Ricky Martin: Your voice sounds like a lullaby Madonna: Here's my heart this time to keep Ricky Martin: Here's my heart to keep Ricky Martin & Madonna: Cuidado (Please be careful) Con mi corazon Cariño (Easy on me, love) No me lastimes Cuidado (Please be careful) Es mi corazon, mi corazon Ricky Martin & Madonna: Cuidado (Please be careful) Con mi corazon Me siento algo desnuda (Easy on me, love) Cuidado (Please be careful) Es mi corazon, mi corazon Ricky Martin & Madonna: Cuidado (Please be careful) Con mi corazon Cariño (Easy on me, love) No me lastimes Cuidado (Please be careful) Es mi corazon, mi corazon Ricky Martin & Madonna: Cuidado (Please be careful) Con mi corazon Me siento algo desnuda (Easy on me, love) Cuidado (Please be careful) Es mi corazon, mi corazon Credits Written by Madonna, Ricky Martin and William Orbit Produced by Madonna and William Orbit Album Ricky Martin Best Of Ricky Martin Song Ricky Martin convinced Madonna to make this duet, which featured on his self-entitled 1999 album. It was considered as the second single of the album. However, Madonna was too busy with other projects to shoot a video, so it was never released. Ricky added it also to his 'Best Of' album, released in 2001.

Lyrics I'm gonna show you that good guys don't always win I'm gonna show you the brighter side of living in sin So when you're six feet under, you won't wonder why Just 'cause you got a halo don't mean that you can fly If you thought it was over, you're way off track You made a blunder, and... You put me back, back in business This ain't no hit or miss, I'm gonna get my way 'Cause you put me back, back in business You're my first witness, and I'm here to stay I'm gonna show you good guys always finish last Speaking of virtue, being nice is a thing of the past When I want something done, I'll say it with a gun Just 'cause you're an angel don't mean you're having fun I just wanted to thank you for what you lack Hope they don't hang you, 'cause... You put me back, back in business This ain't no hit or miss, I'm gonna get my way 'Cause you put me back, back in business You're my first witness, and I'm here to stay A tisket, a tasket, you've lost your yellow basket You don't know if you want to hit me or kiss me I just wanted to thank you for what you lack Hope they don't hang you, 'cause... You put me back, back in business This ain't no hit or miss, I'm gonna get my way 'Cause you put me back, back in business You're my first witness, and I'm here to stay (He's back in business now) Give me a hand and I'll take a bow (He's back in business now) Bah dah dah, bah dah dah, bah dah dah, bah dah dah (He's coming back in style) Give me an inch and I'll take a mile (He's back and why oh why) Bah dah dah, bah dah dah, bah dah dah, bah dah dah (He's back in business now) Give me a hand and I'll take a bow (He's back in business now) Bah dah dah, bah dah dah, bah dah dah, bah dah dah (He's coming back in style) Give me an inch and I'll take a mile (He's back and why oh why) Bwah bwah bwah bwah bwah bwah Credits Written by Madonna and Patrick Leonard Produced by Madonna and Patrick Leonard Mixed by Brian Malouf Strings and horns arranged and conducted by Jeremy Lubbock Keyboards and drum programming by Patrick Leonard Hi hat by Jonathan Moffett Percussion by Luis Conte Saxophone by Jeff Clayton Background vocals by Donna DeLory, Niki Haris and Jennie Douglas McRae Album I'm Breathless

Lyrics I don't expect my love affairs to last for long Never fool myself that my dreams will come true Being used to trouble I anticipate it But all the same I hate it wouldn't you? So what happens now? (Another suitcase in another hall) So what happens now? (Take your picture off another wall) Where am I going to? (You'll get by you always have before) Where am I going to? Time and time again I've said that I don't care That I'm immune to gloom, that I'm hard through and through But every time it matters all my words desert me So anyone can hurt me and they do So what happens now? (Another suitcase in another hall) So what happens now? (Take your picture off another wall) Where am I going to? (You'll get by you always have before) Where am I going to? Call in three months time and I'll be fine I know Well maybe not that fine but I'll survive anyhow I won't recall the names and places of each sad occasion But that's no consolation here and now So what happens now? (Another suitcase in another hall) So what happens now? (Take your picture off another wall) Where am I going to? (You'll get by you always have before) Where am I going to? Don't ask anymore Credits Written by Andrew Lloyd Webber and Tim Rice Produced by Nigel Wright, Alan Parker, Andrew Lloyd Webber and David Caddick Vocals by Madonna Album Evita Single This third single was only released in Australia, Germany and the UK. Only in the latter did it have any significance chartwise: it reached #7. Video As a video the original scene from the Evita movie was used. It shows a young heartbroken Eva, walking from one bar to another, yearning for some affection.

Lyrics Ain't no big deal to say I love you still Call out my name, I'll be here Ain't no big deal to say my love is real When you reach out I'll be there Please don't be afraid to look me in the eye Sad time is gone, I got no tears to cry So don't so say you don't know I'm right When I say we'll get by Ain't no big deal to say I love you still Call out my name, I'll be here Ain't no big deal to say my love is real When you reach out I'll be there Nobody makes me feel the way that you do Night time's such a thrill when I spend it with you Ask me what is on my mind So I can tell you true Ain't no big deal, my love is for real I love you still Ain't no big deal, my love is for real Ain't no big deal, I love you still Ain't no big deal, my love is for real Baby I love you still Ain't no big deal, my love is for real Ain't no big deal, uh, uh, uh, uh, uh Ain't no big thing, uh, uh, uh, uh I said Ain't no big deal, uh, uh, uh, uh, uh Ain't no big thing, uh, uh, uh, uh Please don't be afraid to look me in the eye Sad time is gone, I got no tears to cry Don't so say you don't know I'm right When I say we'll get by Ain't no big deal, my love is for real I love you still Ain't no big deal, my love is for real Ain't no big deal, I love you still Ain't no big deal, my love is for real Baby I love you still Ain't no big deal, my love is for real Ain't no big deal, uh, uh, uh, uh, uh Ain't no big thing, uh, uh, uh, uh Ain't no big deal, uh, uh, uh, uh, uh Ain't no big thing, uh, uh, uh, uh Reach out, reach out I'll be there, yeah, oh yeah Reach out, reach out I'll be there, yeah I'll be right by your side Reach out, reach out I'll be there, yeah, oh yeah Reach out, reach out I'll be there, yeah Credits Written by Steve Bray Produced by Reggie Lucas Album Pre-Madonna In The Beginning Song In the early 80s Madonna and Steve Bray recorded a few demo's. A few would be used on Madonna's first album, others appeared on the albums 'Pre-Madonna' and 'In The Beginning' several years later. Madonna's first contract with Sire Records wasn't for an album, but for two singles. Ain't No Big Deal was first chosen as the first single release with Everybody as a B-single. But at that time there was a discussion about who would produce the track; either Steve Bray or Mark Kamins. In the end Steve Bray sold the rights of the song to July Fourth Music. Some discogroup called Barracuda recorded their own version of 'Ain't No Big Deal', before Sire Records had the chance to release Madonna's version. So they dropped Ain't No Big Deal as a single and opted for Everybody instead. In 1986 Reggie Lucas produced the song as a B-single for True Blue (in the US) and Papa Don't Preach (outside the US). Because of these different productions, there are different versions of the song. Anyway, the lyrics on the left are those from the version I got! :-)

Lyrics (Whispering For thou art the Kingdom and the Power and the Glory Forever and ever. Amen. Hail Mary, full of grace, the Lord is with thee, Blessed art thou amongst women, and blessed is the fruit of thy... Oh my God, I am heartily sorry For having offended Thee And I detest all my sins Because of Thy just punishment But most of all Because I have offended Thee, Oh my God Who art all good and deserving of all my love I firmly resolve with the help of Thy grace To confess my sins, to do penance, to amend my life, And to avoid the temptations of evil Oh my God I am heartily sorry For having offended Thee And I detest All my sins Because of Thy Just punishment But most of all Because my God I have offended Thee Who art all good Like I knew you would And deserving of all My love I reserve I reserve I reserve I reserve I resolve I have a reservation I have a reservation! What you do you mean it's not in the computer ?!? Credits Written by Madonna and Patrick Leonard Produced by The Powers That Be Album Like A Prayer Song This song is the mystery song of the album. It starts with Madonna whispering prayers. Then a guitar solo begins while you hear samples of Like A Prayer playing backwards. All that interlaced with the lyrics printed on the left. And what's with the hotel reservation?

Lyrics All over me (6x) Erotic, erotic Put your hands all over my body (3x) You are who you are And I Wouldn't want to change a thing In spite of All the pain that love can bring Tell me What can I do? I'm so in love with you You thrill me Surround me you fill me You send me You put me in a trance You thrill me Inside me you take me You thrill me You put me in a trance All over me (4x) Erotic, erotic Put your hands all over my body (3x) Erotic, erotic All over me (4x) You are who you are And I Wouldn't want to change a thing In spite of All the pain that love can bring Tell me What can I do? I'm so in love with you You thrill me Surround me you fill me You send me You put me in a trance You thrill me Inside me you take me You thrill me You put me in a trance Erotic, erotic (4x) Erotic, erotic Put your hands all over my body (3x) Erotic, erotic Erotica Romance Erotica I'd like to put you in a trance All over me (4x) Erotic, erotic Put your hands all over my body (3x) Erotic, erotic Erotic, erotic Put your hands all over my body (3x) Erotic Credits Written by Madonna and Shep Pettibone Album The Confessions Tour Song This is the original version of Erotica, named You Thrill Me by the fans because these words run through the chorus. The demo version consists of the old bridge and chorus with the verses of the album version. The lyrics on the left are for the 2006 live version as heard on The Confessions Tour CD/DVD. Tour This version of Erotica was used on the 2006 Confessions Tour instead of the more explicit verses of the album version. This gorgeous remix was performed by Madonna in her Abba-esque outfit in a beautiful choreography with her dancers. While Jason lets her fly through the sky, the disco balls on the ceiling remind us of Studio 54.

Lyrics It's your honesty With you I have no choice When you talk to me I could make love to your voice It's the things I see When I look into your eyes It's your honesty Pulling me closer to you baby You know you drive me crazy You are one of a kind And I want you to be mine, all mine Pulling me closer to you You have a special quality You're bringing out the best in me You have a special quality You are Pulling me closer to you It's your honesty With you I have no choice When you talk to me I could make love to your voice It's the things I see When I look into your eyes It's your honesty Pulling me closer to you baby You know it just gets better This is the way it should be You know the truth will set you free, so free Pulling me closer to you You have a special quality You're bringing out the best in me You have a special quality You are Pulling me closer to you It's your honesty With you I have no choice When you talk to me I could make love to your voice It's the things I see When I look into your eyes It's your honesty Pulling me closer to you baby Touch my little body Embrasse-moi mon amour Pour ce soir, pour toujours Touch my little body Dis-moi la vérité Oui je sais toujours You have a special quality You're bringing out the very best in me You have a special quality You are Pulling me closer to you Honesty It's your honesty With you I have no choice When you talk to me I could make love to your voice It's the things I see When I look into your eyes It's your honesty Pulling me closer to you baby It's your honesty It's your honesty Credits Written by Madonna and Dallas Austin Produced by Madonna and Dallas Austin Mixed by Daniel Abraham Album Remixed & Revisited Song Madonna originally wrote this song with Dallas Austin during the Bedtime Stories recording sessions in 1994. While it was dumped for the album, it was later rumoured to appear on some benefit album, after being reworked by Missy Elliott co-producer Timbaland (which never happened). In 2003, it was surprisingly included on the EP Remixed & Revisited, released on November 25th.

Lyrics You think that I can't live Without your love You'll see You think I can't go on Another day You think I have nothing Without you by my side You'll see Somehow, some way You think that I can never Laugh again You'll see You think that you destroyed My faith in love You think after all you've done I'll never find my way back home You'll see Somehow, someday All by myself I don't need anyone at all I know I'll survive I know I'll stay alive All on my own I don't need anyone this time It will be mine No one can take it from me You'll see You think that you are strong But you are weak You'll see It takes more strength to cry Admit defeat I have truth on my side You only have deceit You'll see Somehow, someday All by myself I don't need anyone at all I know I'll survive I know I'll stay alive I'll stand on my own I won't need anyone this time It will be mine No one can take it from me You'll see You'll see You'll see You'll see, mmm mmm Credits Written by Madonna and David Foster Produced and arranged by Madonna and David Foster Keyboards by David Foster Synclavier programming by Simon Franglen Acoustic guitars by Dean Parks Electric guitars by Michael Thompson Album Something To Remember Single In the fall of 1995, Madonna released You'll See, the lead-off single for Something To Remember. The song can be seen as a follow-up to Take A Bow (see video info). The single did pretty well in the charts, reaching #1 in Japan, #5 in Italy and UK and #6 in the US. It was certified Gold in the US and Japan. A Spanish version, called Veras, appeared on one of the maxi-singles. Video Director Michael Haussman and Madonna decided to make the video a direct sequel to Take A Bow. In that video, Madonna was mistreated by her lover, the bullfighter Emilio Munoz. This time she walks out on him, leaving him behind in despair. She's seen on the train and later on a plane, while Emilio tries to catch up with her in vain. Tour Madonna surprised her fans when she performed You'll See on some of the US shows during the Drowned World Tour, instead of Gone, which was part of all the European shows and the other US shows. She might have looked vulnerable, being all alone in the spotlights in the front of the stage, but she proves to be very strong, like the lyrics suggest.

Lyrics Where do we go from here? This isn't where we intended to be We had it all, you believed in me I believed in you Certainties disappear What do we do for our dream to survive? How do we keep all our passions alive As we used to do? Deep in my heart I'm concealing Things that I'm longing to say Scared to confess what I'm feeling Frightened you'll slip away You must love me You must love me Why are you at my side? How can I be any use to you now? Give me a chance and I'll let you see how Nothing has changed Deep in my heart I'm concealing Things that I'm longing to say Scared to confess what I'm feeling Frightened you'll slip away You must love me You must love me You must love me Credits Written by Andrew Lloyd Webber and Tim Rice Produced by Nigel Wright, Alan Parker, Andrew Lloyd Webber and David Caddick Vocals by Madonna Album Evita Single To promote the Evita soundtrack, Andrew Lloyd Webber and Tim Rice got back together to write a song especially for Madonna. The result was this beautiful ballad in which Eva Peron shows her vulnerable side. This first Evita single, released in the fall of 1996, only reached #18 in the US but still got a Gold certification. It got to #10 in the UK, #2 in Canada and #11 in Australia. The song won an Oscar and a Golden Globe for 'Best Song'. » Buy on Amazon Video In between the recordings of the movie, Evita producer Alan Parker shot the video, which shows a very serene Madonna standing in a room with a pianist and a cellist. Notice that Madonna's shown either in close-up either behind the piano, to hide her pregnancy with Lola. The video also uses images of the movie. Tour "Where do we go from here?" Madonna sings on the Sticky & Sweet Tour. Performing this beautifully vulnerable song for the first time on tour, she treats fans to one of her most sincere live moments ever. While the musicians, complete with the Arkady Gips, gather around her, Madonna accompanies herself on the acoustic guitar. But it's her powerful voice that stands out, echoing throughout the stadium, especially for "scared to confess what i'm feeling!!". The crowd holds its breath, much like the movie characters on the screen during Evita's funeral. For the last sentence, Madonna builds in an extra dramatic silence, before the violinist provides the emotional finale. At the concerts of Buenos Aires, Argentina, Madonna extended this performance by singing a part of the other big ballad of the musical, Don't Cry For Me Argentina.

Lyrics I'm not myself when you're around I'm not myself standing in a crowd I'm not myself and I don't know how I'm not myself, myself right now Jesus Christ will you look at me? Don't know who I'm supposed to be Don't really know if I should give a damn when you're around I don't know who I am I'm not myself when you go quiet I'm not myself all alone at night I'm not myself don't know who to call I'm not myself at all Jesus Christ will you look at me? Don't know who I'm supposed to be Don't really know if I should give a damn when you're around I don't know who I am I always wished that I could find someone as beautiful as you But in the process I forgot that I was special too I'm not myself when you're around I'm not myself when you go quiet I'm not myself all alone at night I'm not myself standing in a crowd I'm not myself and I don't know how I'm not myself, myself right now Don't know what I believe Jesus Christ will you look at me? Don't know who I'm supposed to be Don't really know (someone say) if I should give a damn when you're around I don't know who I am I always wished that I could find someone as beautiful as you But in the process I forgot that I was special too I always wished that I could find someone as talented as you But in the process I forgot That I was just as good as you Credits Written by Madonna and Stuart Price Produced by Madonna and Mirwais Ahmadzaï Programming and guitars by Mirwais Ahmadzaï Album .American Life Song On April 15th 2003, this hauntingly beautiful song premiered online on the website of Launch/Yahoo! Madonna comments on this song: "This is my favourite song of the album because it's only me with my guitar and I sing all the melodies and the chorus. I don't know why, but this song reminds me of my childhood... it's a very simple song." The title of the song was later used for the exhibition of Madonna pictures by Steven Klein. These pictures and videos were also used during The Beast Within intro on the Re-Invention Tour.

Lyrics Words They cut like a knife Cut into my life I don't want to hear your words They always attack Please take them all back If they're yours I don't want anymore You think you're so smart You try to manipulate me You try to humiliate with your words You think you're so chic You write me beautiful letters You think you're so much better than me But your actions speak louder than words And they're only words unless they're true Your actions speak louder than promises You're inclined to make and inclined to break Words They cut like a knife Cut into my life I don't want to hear your words They always attack Please take them all back If they're yours I don't want anymore You think you're so shrewd You try to bring me low You try to gain control with your words But your actions speak louder than words And they're only words unless they're true Your actions speak louder than promises You're inclined to make and inclined to break Words They cut like a knife Cut into my life I don't want to hear your words They always attack Please take them all back If they're yours I don't want anymore Friends they tried to warn me about you He has good manners, he's so romantic But he'll only make you blue How can I explain to them How could they know I'm in love with your words Your words You think you're so sly I caught you at your game You will not bring me shame With your words But your actions speak louder than words And they're only words unless they're true Your actions speak louder than promises You're inclined to make and inclined to break Words They cut like a knife Cut into my life I don't want to hear your words They always attack Please take them all back If they're yours I don't want anymore Too much Blinding light Your touch I've grown tired Of your words Words (words) A linguistic form that can meaningfully be spoken in isolation (words) Conversation Expression A promise A sigh In short A lie A message from heaven A signal from hell I give you my word I'll never tell Language that is used in anger Personal feelings signaling danger A brief remark An utterance Information Don't mince words Don't be evasive Speak your mind Be persuasive A pledge A commitment Communication Words Credits Written by Madonna and Shep Pettibone Produced by Madonna and Shep Pettibone Sequencing, keyboards and programming by Shep Pettibone and Tony Shimkin Additional keyboards by Joe Moskowitz Album

Lyrics mmmm mmm mmm mmmm mmmm mmm mmm mmmm mmm mmm mmmm mmmm mmm mmm mm mm mmmm mmm mmm mmmm mmmm mmm mmm mm mm mm mm mm mm Credits Written by Madonna and William Orbit Produced by Madonna and William Orbit Album None Song In 2000, Madonna provided this sample as the theme song for a new TV serial, called Wonderland. The TV serial was dumped after only two airings, so Wonderland became a precious secret. There are no lyrics; it only features Madonna humming. But the beauty of the song is proportional to its simplicity. Although many fans were hoping to hear a full version some day, it is doubtful that Madonna and William Orbit ever recorded more than the 45 seconds long sample. Later they used a sample of it in the song Amazing. Other than that, nothing of Wonderland was ever released, you can only hear it on MP3.

Lyrics Why's it so hard to love one another Why's it so hard to love Why's it so hard to love one another Why's it so hard to love What do I have to do to be accepted What do I have to say What do I have to do to be respected How do I have to play What do I have to look like to feel I'm equal Where do I have to go What club do I have to join to prove I'm worthy Who do I have to know I'm telling you brothers, sisters Why can't we learn to challenge the system Without living in pain Brothers, sisters Why can't we learn to accept that we're different Before it's too late What do I have to learn to know what's right for me What do I have to know What am I going to do when I feel righteous Where do I have to go Who should get to say what I believe in Who should have the right What am I going to do with all this anger Why do I have to fight I'm telling you brothers, sisters Why can't we learn to challenge the system Without living in pain Brothers, sisters Why can't we learn to accept that we're different Why's it so damn hard Bring your love, sing your love Wear your love, share your love Bring your love, sing your love Wear your love, share your love Bring your love, sing your love Wear your love, share your love Bring your love, sing your love Wear your love, show your sister how (Why's it so damn hard) Brothers, sisters What do I have to say Brothers, sisters How do I have to play Brothers, sisters Who should have the right Brothers, sisters Why do I have to fight Why's it so hard to love one another Love your sister, love your brother Why's it so hard to love one another Love your sister, love your brother Why's it so hard to love one another Why's it so hard to love I'm telling you brothers, sisters Why can't we learn to challenge the system Without living in pain Brothers, sisters Why can't we learn to accept that we're different Why's it so damn hard Sing your love, share your love Before it's too late Sing your love, share your love Before it's too late Sing your love, share your love Before it's too late Sing your love, share your love Ahh Love your brother now, show your sister how Love your brother now, show your sister Love your brother now, show your sister how Love your brother now, show your sister Credits Written by Madonna and Shep Pettibone Produced by Madonna and Shep Pettibone Sequencing, keyboards and programming by Shep Pettibone and Tony Shimkin Additional keyboards by Joe Moskowitz Guitar by Paul Pesco Background vocals by Donna DeLory, Niki Haris and Tony Shimkin Album Erotica Song The live performance of Why's It So Hard on the Girlie Show was included as a bonus track on the maxi single of I'll Remember. Tour Everyone remembers the Blond Ambition performance of Like A Virgin, but Why's It So Hard on the Girlie Show was far more sexually explicit. After Deeper And Deeper, Madonna and her dancers get on the floor in what seems to be one big orgy that was a frequent event in Studio 54. One of the guys licks Madonna's breasts, leaving behind an obvious hicky, but then goes down on the other boys, while the girls take care of Madonna. With a lot of 'mmm' and 'yeah' they get into Why's It So Hard, and then everyone is hugging each other, holding each others hands, as if they're giving each other support. It strenghtens the message of the song: stick together, fight discrimination, love one another.

Lyrics Who's that girl Who's that girl When you see her Say a prayer and kiss your heart goodbye She's trouble In a word get closer to the fire Run faster Her laughter burns you up inside You're spinning round and round You can't get up, you try but you can't Quien es esa nina, who's that girl Senorita, mas fina, who's that girl Quien es esa nina, who's that girl Senorita, mas fina, who's that girl You try to avoid her fate is in your hands She's smiling An invitation to the dance Her heart is on the street Tu corazon es suyo Now you're falling at her feet You try to get away but you can't Quien es esa nina, who's that girl Senorita, mas fina, who's that girl Quien es esa nina, who's that girl Senorita, mas fina, who's that girl Light up my life So blind I can't see Light up my life No one can help me now Run faster Her laughter burns you up inside He's spinning round and round You can't get up, you try but you can't Quien es esa nina, who's that girl Senorita, mas fina, who's that girl Quien es esa nina, who's that girl Senorita, mas fina, who's that girl Light up my life So blind I can't see Light up my life No one can help me now Who's that girl Now who's that girl Now who's that girl Now who's that girl Quien es esa nina, who's that girl Senorita, mas fina, who's that girl Quien es esa nina, who's that girl Senorita, mas fina, who's that girl Quien es esa nina, who's that girl Senorita, mas fina, who's that girl Quien es esa nina, who's that girl Senorita, mas fina, who's that girl Quien es esa nina, who's that girl Senorita, mas fina, who's that girl Credits Written by Madonna and Patrick Leonard Produced by Madonna and Patrick Leonard Album Who's That Girl (OST) Celebration Single To promote the movie and the soundtrack, Madonna released the title track in the summer of 1987. The funky song wasn't just typical for Nikki Fynn, but for Madonna as well. After three successful albums and already some different images and styles, some people wondered 'who's that girl anyway'? The single was a big hit and topped the charts in the US, UK, Canada and Japan. However, it's Madonna's only #1 that was left off The Immaculate Collection. At the 1988 Grammy Awards it was nominated for Best Song From A Motion Picture. Video Peter Rosenthal directed the video for Who's That Girl. It's a comination of images from the movie and images of a boyish Madonna in a suit, dancing around with some kids, a theme she'd already tried for Open Your Heart. Tour Naturally, the theme song couldn't fail on the Who's That Girl tour. Quien es esa nina was a good fit after that other song with Spanish vibes, La Isla Bonita. Dressed in her red flamenco dress Madonna dances around on stage, lets the audience sing along and then ends it on a dramatic tone, softened by a blown kiss at the end.